painted Arabische Gasse in   Related Paintings of Johann Georg Grimm :. | Raising the Maypole | Sandgrube | Vision of the Cross | Moonrise | Catherine of Habsberg and St. Catherine of Alexandria |
Related Artists:
Master of the Schotten Altarpiece
was a German painter, active in Nuremberg during the 14th and 15th centuries. His name is derived from an altarpiece dated to about 1390, which once stood in the church of St. Mary in Schotten. The altarpiece was dismantled in 1828.
Paul Brill
Flemish painter , 1554-Rome 1626 were brothers, both born in Antwerp, who were landscape painters who worked in Rome after earning papal favor. They are also described as painters of capricci (whims or fancies) or vedute ideate or veduta di fantasia, with typical rustic hills with a few ruins. Mattheus began work on several frescoes in Rome from 1570 onwards, and his work includes the Vatican's Seasons. Mattheus died young, and his brother continued his work around 1574. Paul, a student of Damiaen Oertelmans, painted frescoes such as the landscapes in the Casino Rospigliosi (Rome), and The Roman Forum, which showed this site for what it had become: a slum for squatters and pasture for livestock (so much so that the place was nicknamed Campo Vaccino, or "The Cowfield"). His masterpiece may be a fresco in the Clementine Hall of the Vatican. Paul also did engravings and small cabinet paintings on copper, some of which are signed with a pair of spectacles (a pun on the French word brilles, "spectacles"). Some of these were collaborations with Johann Rottenhammer, who according to a dealer's letter of 1617 painted the figures in Venice and then sent the plates to Rome for Bril to complete the landscape. He collaborated with his friend Adam Elsheimer, who he both influenced and was influenced by, on one painting.
Jervis Mcentee
American Realist Painter, 1828-1891, He was an American painter of the Hudson River School. He is a somewhat lesser-known figure of the 19th century American art world, but was the close friend and traveling companion of several of the important Hudson River School artists. Aside from his paintings, McEntee's enduring legacy are the detailed journals he kept from the early 1870s until his death. In his writings McEntee records a detailed account of Hudson River School artists, their day-to-day life, gossip and personal reflections, and the overall arc of the American art world in the second half of the 19th century. He discusses his artistic successes and trials, particularly as money becomes more scarce with the decline in popularity of Hudson River School art. McEntee's journals are now kept by the Archives of American Art, a research center within the Smithsonian Institution. Five volumes of these diaries, from 1872 to 1890, have been digitally scanned, transcribed, and can be browsed in their entirety in the Jervis McEntee Diaries Online. McEntee was born in Rondout, New York on July 14, 1828. Little is known of his childhood. He exhibited his first painting at the National Academy of Design in New York City in 1850.